Archivi categoria: Monografica I

DOI:10.5281/zenodo.15643515

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Juan Manuel Forte, Nuria Sánchez Madrid, Valerio Rocco

Juan Manuel Forte (UCM), Nuria Sánchez Madrid (UCM) y Valerio
Rocco (CBA/UAM)

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DOI:10.5281/zenodo.15643605

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Mercedes Arriaga Flórez & María Mascarell García

Mercedes ArriagaFlórez: Universidad de Sevilla (marriaga@us.es; ORCID: 0000-0001-6039-6949); MaríaMascarell García: Universidad de Córdoba (mmascarell@uco.es; ORCID: 0000-0003-2717-2796).

Public and Private in the Philogynist Writers of Italian Cinquecento

Abstract: A series of galleries of illustrious women and Renaissance philogynous treatises by little-known and rarely studied writers – such as Antonio Cornazzaro, Bartolomeo Goggio, Vespasiano da Bisticci, Pompeo Colonna, Luigi Dardano, Lodovico Dolce, and Paolo Giovio – support the social and political utility and convenience of women projecting themselves and acting in the public sphere. With the intention of promoting new ideas about … Continua a leggere

DOI:10.5281/zenodo.15644147

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Juan Manuel Forte

Universidad Complutense Madrid (jmfortem@ucm.es; ORCID: 0000-0003-1344- 552X).

Resisting and Fighting Aristotle: Christine de Pizan and Lucrezia Marinella.

Abstract: From the 13th century onwards, Aristotle’s authority dominated the scholastic and university spheres for several centuries. Furthermore, the Stagirite became a key reference point in discussions about biological, characterological, and moral differences between men and women. However, these differences were often perceived as biased, with several female writers criticising sexist elements in Aristotle’s works. For example, during the early Renaissance, Christine de Pizan offered a defensive argument against Aristotle, drawing mainly on her own life experience. Two … Continua a leggere

DOI:10.5281/zenodo.15644185

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Nuria Sánchez Madrid

Dpto. De Filosofía y Sociedad UCM/GINEDIS/INSTIFEM (nuriasma@ucm.es; ORCID: 0000-0003-4273-5948).

Dialogues on Gender in Italian Cinquecento: Contrasts and Affinities between Baldassarre Castiglione and Giulia Bigolina 

Abstract: This paper focuses on the different philogyny approaches that Baldassarre Castiglione and Giulia Bigolina displayed in the Italian Cinquecento intellectual space. First, I cast light on the strengths and weaknesses that the conversations of both sexes in the book III of The Courtier by Castiglione mean for fostering women’s emancipation. Second, I address the novel Urania by Giulia Bigolina, the first novel written by a woman in Italian literature, which … Continua a leggere

DOI:10.5281/zenodo.15643577

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Begoña Fernández Cabaleiro

Departamento de Filosofía y Sociedad, Facultad de Filosofía, Universidad Complutense de Madrid (bfcabaleiro@filos.ucm.es; ORCID: 0000-0002-4644-5799).

Women artists. Influences and relationships from Francesca Caccini’s Italy

Abstract: Francesca Caccini premiered La liberazione di Ruggiero in 1625, considered the first opera composed by a woman, the only one that survives of the five created by Francesca, also the first Italian opera performed outside Italy. In June 2024, four hundred years later, it premiered in Madrid with the collaboration of the Teatro Real, generating a new reflection on women in cultural and artistic creation in the 16th/17th centuries, a … Continua a leggere